Jeanne Pasquet, a senior creative project manager with over seven years of experience in scenography, spatial design and brand experiences, leading projects from creative concept to on-site delivery.

Jeanne Pasquet, a senior creative project manager with over seven years of experience in scenography, spatial design and brand experiences, leading projects from creative concept to on-site delivery.

Jeanne Pasquet, a senior creative project manager with over seven years of experience in scenography, spatial design and brand experiences, leading projects from creative concept to on-site delivery.

  • LVMH / Chaumet / Bongénie / 3 Paradis / Samsung / Hoka / Ixina / Vestiaire Collective / Pennylane / Firmenich / EPFL / City of Geneva /

  • LVMH / Chaumet / Bongénie / 3 Paradis / Samsung / Hoka / Ixina / Vestiaire Collective / Pennylane / Firmenich / EPFL / City of Geneva /

What I manage

What I manage

What I manage

01.

Creative direction

Brief analysis, concept development and creative vision, through to client presentation.

02.

Project management

End-to-end project leadership, from concept to on-site delivery, including production follow-up and installation supervision.

03.

Teams and partners

Building and leading creative teams, fabricators and suppliers.

04.

Budgets and timelines

Budget control and scheduling, from estimate to delivery.

05.

Client relations

Close partnership with brands and institutions to define and translate their creative ambitions.

Selected Projects

Selected Projects

Selected Projects

01 / 09

Grand Prix d’Horlogerie de Genève

Grand Prix d’Horlogerie de Genève

Grand Prix d’Horlogerie de Genève

Watch Exhibition

Watch Exhibition

Watch Exhibition

Role

Scenography, Production management

Type

Exhibition scenography

Client

Grand Prix d’Horlogerie de Genève

Exhibition scenography for the Grand Prix d’Horlogerie de Genève, designed with Trojans Collective. A red floor with softened corners anchors the room, while red plinths and glass vitrines frame each timepiece as a precious object.

Scenography for the exhibition of the Grand Prix d’Horlogerie de Genève, created with Trojans Collective. A geometric printed floor in black, white and blue structures the stands, whose backlit mirrors showcase each watch.

Read more +

Role

Scenography, Production management

Type

Exhibition scenography

Client

Grand Prix d’Horlogerie de Genève

Exhibition scenography for the Grand Prix d’Horlogerie de Genève, designed with Trojans Collective. A red floor with softened corners anchors the room, while red plinths and glass vitrines frame each timepiece as a precious object.

Swipe → 3 photos

Watch Exhibition, Grand Prix d’Horlogerie de Genève, photo 1
Watch Exhibition, Grand Prix d’Horlogerie de Genève, photo 2
Watch Exhibition, Grand Prix d’Horlogerie de Genève, photo 3

02 / 09

Samsung Germany

Samsung Germany

Samsung Germany

Three-Day Brand Experience

Three-Day Brand Experience

Three-Day Brand Experience

Role

Floral scenography, Production coordination

Type

Event scenography

Client

Samsung Germany

Event scenography for Samsung Germany: a three-day influencer weekend at the Abbaye des Vaux-de-Cernay. Each moment of the programme, from dinners and evening events to the shoot and brand content, was given its own floral scenography, designed and produced in close coordination with the production team. Created with Lou Saveria.

Event scenography for Samsung Germany, hosting well-known influencers for a three-day weekend at the Abbaye des Vaux de Cernay. A floral scenography was designed and produced for each moment of the programme: meals, evening, shoot and promotion, in close coordination with the production team. Created in collaboration with Lou Saveria.

Read more +

Role

Floral scenography, Production coordination

Type

Event scenography

Client

Samsung Germany

Event scenography for Samsung Germany: a three-day influencer weekend at the Abbaye des Vaux-de-Cernay. Each moment of the programme, from dinners and evening events to the shoot and brand content, was given its own floral scenography, designed and produced in close coordination with the production team. Created with Lou Saveria.

Swipe → 6 photos

Three-Day Brand Experience, Samsung Germany, photo 1
Three-Day Brand Experience, Samsung Germany, photo 2
Three-Day Brand Experience, Samsung Germany, photo 3
Three-Day Brand Experience, Samsung Germany, photo 4
Three-Day Brand Experience, Samsung Germany, photo 5
Three-Day Brand Experience, Samsung Germany, photo 6

03 / 09

MCBA Lausanne

MCBA Lausanne

MCBA Lausanne

Decorama Exhibition

Decorama Exhibition

Decorama Exhibition

Role

Creative project management, Creative consulting

Type

Exhibition scenography

Client

Musée cantonal des Beaux-Arts de Lausanne (MCBA)

Year

2025

Exhibition scenography for DECORAMA, the third edition of Jardin d’Hiver at the MCBA, curated by Elise Lammer. Conceived from the earliest stage of the project, the scenography turns ornament into a lens on taste, class and gender, subverting the codes of the white cube through perspective, colour and structure so that the space becomes part of the narrative. Delivered with Trojans Collective, the studio I founded, which later brought me back on a freelance basis as creative project manager and creative consultant.

For DECORAMA, the third edition of Jardin d’Hiver at the MCBA, the scenography uses ornament to question taste, class and gender. Designed from the very start of the project, it subverts the codes of the white cube through play with perspective, colour and structure, making the space a central part of the story. Developed with Trojans Collective, where I acted as creative project manager and creative consultant.

Read more +

Role

Creative project management, Creative consulting

Type

Exhibition scenography

Client

Musée cantonal des Beaux-Arts de Lausanne (MCBA)

Year

2025

Exhibition scenography for DECORAMA, the third edition of Jardin d’Hiver at the MCBA, curated by Elise Lammer. Conceived from the earliest stage of the project, the scenography turns ornament into a lens on taste, class and gender, subverting the codes of the white cube through perspective, colour and structure so that the space becomes part of the narrative. Delivered with Trojans Collective, the studio I founded, which later brought me back on a freelance basis as creative project manager and creative consultant.

Swipe → 7 photos

Decorama Exhibition, MCBA Lausanne, photo 1
Decorama Exhibition, MCBA Lausanne, photo 2
Decorama Exhibition, MCBA Lausanne, photo 3
Decorama Exhibition, MCBA Lausanne, photo 4
Decorama Exhibition, MCBA Lausanne, photo 5
Decorama Exhibition, MCBA Lausanne, photo 6
Decorama Exhibition, MCBA Lausanne, photo 7

04 / 09

Hoka

Hoka

Hoka

Botanical Scenography

Botanical Scenography

Botanical Scenography

Role

Floral design, Coordination, Co-creation

Type

Retail pop-up, Influencer event

Client

Hoka

Pop-up for Hoka in the Marais, Paris, staging the collection through the flora of the Alps. I led the floral design and project coordination, and co-created the set and the influencer event.

Floral scenography presenting a Hoka collection through the plants of the Alps.

Read more +

Role

Floral design, Coordination, Co-creation

Type

Retail pop-up, Influencer event

Client

Hoka

Pop-up for Hoka in the Marais, Paris, staging the collection through the flora of the Alps. I led the floral design and project coordination, and co-created the set and the influencer event.

Swipe → 6 photos

Botanical Scenography, Hoka, photo 1

Concept visual, AI-assisted: the intended set with the shoes in place

Concept visual, AI-assisted: the intended set with the shoes in place

Botanical Scenography, Hoka, photo 2
Botanical Scenography, Hoka, photo 3
Botanical Scenography, Hoka, photo 4
Botanical Scenography, Hoka, photo 5
Botanical Scenography, Hoka, photo 6

05 / 09

HEAD Geneva

HEAD Geneva

HEAD Geneva

Large-Scale Event Sets

Large-Scale Event Sets

Large-Scale Event Sets

Role

Art direction, Project management, Scenography

Type

Event scenography

Client

HEAD Geneva

Year

2020 to 2022

A series of large-scale event scenographies delivered by Trojans Collective, the studio I founded, for HEAD Geneva over several years. Each edition answered a new theme and format, from open days and graduation ceremonies to a trade fair stand. From a yellow grid floor doubling as a seating plan to a wall of screens looping skies, every space was reinvented for its event.

A series of large-scale event scenographies created at Trojans Collective, the studio I co-founded, for the same client over several years. Each edition worked a different theme for a different occasion: open days, graduation ceremonies, a trade fair stand. From a yellow grid floor that doubles as a seating plan to a wall of screens playing looping skies, each space was reinvented for its event.

Read more +

Role

Art direction, Project management, Scenography

Type

Event scenography

Client

HEAD Geneva

Year

2020 to 2022

A series of large-scale event scenographies delivered by Trojans Collective, the studio I founded, for HEAD Geneva over several years. Each edition answered a new theme and format, from open days and graduation ceremonies to a trade fair stand. From a yellow grid floor doubling as a seating plan to a wall of screens looping skies, every space was reinvented for its event.

Swipe → 6 photos

Large-Scale Event Sets, HEAD Geneva, photo 1
Large-Scale Event Sets, HEAD Geneva, photo 2
Large-Scale Event Sets, HEAD Geneva, photo 3
Large-Scale Event Sets, HEAD Geneva, photo 4
Large-Scale Event Sets, HEAD Geneva, photo 5
Large-Scale Event Sets, HEAD Geneva, photo 6

06 / 09

HEAD Geneva

HEAD Geneva

HEAD Geneva

Cinema Festival

Cinema Festival

Cinema Festival

Role

Project management, Art direction, Scenography, Graphic design

Type

Visual identity and scenography

Client

HEAD Geneva

Year

2024

Visual identity and scenography for the 2024 HEAD Geneva film festival, spotlighting work by emerging filmmakers. Drawing on scientific diagrams, a modular graphic system pairs coloured shapes with film stills, deployed across physical and digital media.

For the 2024 film festival, a visual identity puts the spotlight on films by emerging young filmmakers. Inspired by scientific diagrams, the graphic system combines coloured shapes with film stills to create a modular visual language, applied across physical and digital media.

Read more +

Role

Project management, Art direction, Scenography, Graphic design

Type

Visual identity and scenography

Client

HEAD Geneva

Year

2024

Visual identity and scenography for the 2024 HEAD Geneva film festival, spotlighting work by emerging filmmakers. Drawing on scientific diagrams, a modular graphic system pairs coloured shapes with film stills, deployed across physical and digital media.

Swipe → 5 photos

Cinema Festival, HEAD Geneva, photo 1
Cinema Festival, HEAD Geneva, photo 2
Cinema Festival, HEAD Geneva, photo 3
Cinema Festival, HEAD Geneva, photo 4
Cinema Festival, HEAD Geneva, photo 5

07 / 09

LVMH

LVMH

LVMH

Clos19 Campaign

Clos 19 Campaign

Clos 19 Campaign

Role

Project management, Art direction, Set design, Food styling

Type

Set design

Client

Clos19, Moët Hennessy (LVMH)

Year

2023

Still-life campaign for Clos19, Moët Hennessy’s luxury champagne, wine and spirits platform within the LVMH group. A series of still lifes revisiting the codes of luxury photography, from set design to food styling.

For Clos19, the LVMH group’s platform for exceptional wines and spirits, a series of still lifes revisits the codes of luxury photography.

Read more +

Role

Project management, Art direction, Set design, Food styling

Type

Set design

Client

Clos19, Moët Hennessy (LVMH)

Year

2023

Still-life campaign for Clos19, Moët Hennessy’s luxury champagne, wine and spirits platform within the LVMH group. A series of still lifes revisiting the codes of luxury photography, from set design to food styling.

Swipe → 3 photos

Clos 19 Campaign, LVMH, photo 1
Clos 19 Campaign, LVMH, photo 2
Clos 19 Campaign, LVMH, photo 3

08 / 09

Bongénie · Family Style Magazine

Bongénie · Family Style Magazine

Bongénie · Family Style Magazine

Fashion Sets

Fashion Sets

Fashion Sets

Role

Art direction, Production, Project management, Set design

Type

Fashion set design

Client

Bongénie, Family Style Magazine

Year

2023

Two fashion set designs, two distinct worlds.

Bongénie, SS23 campaign. A set conceived for the product collection with filmmaker Samy Bouard Cart, for which I led art direction, production and project management.

Family Style Magazine. A set for a fashion editorial, staging models in a wasteland landscape rebuilt in the studio, in collaboration with Gaston Portejoie. I built most of the set.

Across both, sculptural compositions, material play and chromatic contrast create singular visual worlds, poised between sophistication and offbeat staging.

Two fashion set designs, two distinct worlds.

Bongénie, SS23 campaign. A set design for the product collection, created with filmmaker Samy Bouard Cart. I handled the art direction, production and project management.

Family Style Magazine. A set design for a fashion editorial, with models staged in a wasteland landscape recreated in the studio, in collaboration with Gaston Portejoie. I built most of the set.

Across both, sculptural compositions, play with materials and chromatic contrasts create singular visual worlds, between sophistication and offbeat staging.

Read more +

Role

Art direction, Production, Project management, Set design

Type

Fashion set design

Client

Bongénie, Family Style Magazine

Year

2023

Two fashion set designs, two distinct worlds.

Bongénie, SS23 campaign. A set conceived for the product collection with filmmaker Samy Bouard Cart, for which I led art direction, production and project management.

Family Style Magazine. A set for a fashion editorial, staging models in a wasteland landscape rebuilt in the studio, in collaboration with Gaston Portejoie. I built most of the set.

Across both, sculptural compositions, material play and chromatic contrast create singular visual worlds, poised between sophistication and offbeat staging.

Swipe → 8 photos

Fashion Sets, Bongénie · Family Style Magazine, photo 1
Fashion Sets, Bongénie · Family Style Magazine, photo 2
Fashion Sets, Bongénie · Family Style Magazine, photo 3
Fashion Sets, Bongénie · Family Style Magazine, photo 4
Fashion Sets, Bongénie · Family Style Magazine, photo 5
Fashion Sets, Bongénie · Family Style Magazine, photo 6

09 / 09

Chaumet

Chaumet

Chaumet

High Jewellery Shoot

High Jewellery Shoot

High Jewellery Shoot

Role

Floral set design

Type

Jewellery shoot

Client

Chaumet

Floral set design for Chaumet, for a high jewellery shoot built on blur and movement. Flowers captured in motion and soft focus create a shifting backdrop that sets off each parure, letting every piece emerge from a field of colour. Created with Lou Saveria.

Floral set design for Chaumet, built around blur and movement. Flowers caught in motion and soft focus form a shifting backdrop that sets off the jewellery sets, letting each piece emerge from a field of colour. Created with Lou Saveria.

Read more +

Role

Floral set design

Type

Jewellery shoot

Client

Chaumet

Floral set design for Chaumet, for a high jewellery shoot built on blur and movement. Flowers captured in motion and soft focus create a shifting backdrop that sets off each parure, letting every piece emerge from a field of colour. Created with Lou Saveria.

Swipe → 3 photos

High Jewellery Shoot, Chaumet, photo 2
High Jewellery Shoot, Chaumet, photo 3

Career

Career

Career

Creative Project Manager

Paris

Since May 2026

Freelance set designer

Paris

May 2023 to May 2026

Founder and studio director, Trojans Collective

Geneva

July 2019 to May 2023

Design teacher, HEAD Geneva

Geneva

March 2019 to November 2022

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